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| 1510 |
| | | Giorgione and Titian introduce the richness of colour which characterizes the high Renaissance style in Venice | |
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| c. 1510 |
| | | The startling colour contrasts in Michelangelo's Sistine ceiling anticipate one of the main characteristics of Italian mannerism | |
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| 1510 |
| | | The painter Giorgione dies after a short but extremely influential life in Venice | |
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| 1517 |
| | | Leonardo da Vinci moves to France, on the invitation of Francis I | |
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| c. 1520 |
| | | Mannerism develops in Italy in the work of the painters Pontormo and Rosso Fiorentino | |
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| 1604 |
| | | Annibale Carracci completes an influential ceiling fresco in the Farnese palace in Rome | |
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| 1608 |
| | | The Flemish painter Peter Paul Rubens completes an altarpiece in Rome which is an early masterpiece of the baroque | |
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| 1622 |
| | | The Flemish painter Anthony van Dyck begins a five-year stay, and a successful career as a portrait painter, in Genoa | |
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| 1624 |
| | | Nicolas Poussin arrives in Rome, where he develops the tradition of French classicism | |
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| 1627 |
| | | Claude Lorrain, basing himself like Poussin in Rome, paints classical landscapes suffused in light | |
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